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The Grateful Dead Live at Shoreline Amphitheatre on 1995-06-02




Set 1

Alabama Getaway, Greatest Story Ever Told, Candyman, Good Morning Little School Girl, Ramble On Rose, El Paso*, Bird Song, Promised Land

Set 2

New Speedway Boogie, That Would Be Something, Way To Go Home, Saint Of Circumstance, He's Gone-> Drums-> Chanting by Gyoto Monks-> Space-> Easy Answers, Standing On the Moon, Around & Around, E: Lucy In The Sky With Diamonds

Set 3

Weir on acoustic. Other Artist(s): Gyoto Monks


Collection GratefulDead
Band/Artist Grateful Dead
Date June 2, 1995
Venue Shoreline Amphitheatre
Location Mountain View, CA

Source SBD -> Dat (44.1k)
Lineage Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC
Transferred by Charlie Miller


Notes

Notes:
-- Set 2 is seamless
-- Drums with chanting by the Gyoto Monks
-- This is the only purely digital source in circulation

Reviews

Reviewer: Dave Siebert - - June 2, 2014
Subject: Grateful
My last Grateful Dead Concert#155. :}
Reviewer: thereal_IMA - - June 2, 2012
Subject: DAMN thanks again
those monks were trippy
then the spaceship ride was cool

SOTM made me cry.. again
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Grateful Dead
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Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
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Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board.
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Source: Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
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Source: Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer;
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Source: Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes;
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Source: Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24